Series
Process treated as the subject rather than the backdrop. A jazz sextet before it had a name, an apartment where paintings were made without an audience in mind. What these entries share is less a discipline than a posture toward the work.
Performing original compositions at a festival in Civitavecchia, years before the band found its name, and the realisation that the identity had already been quietly forming all along.
Rediscovered photographs of an apartment where I painted almost every evening, and the realisation that the gold leaf and sacred figures were already there, long before the ancestral work began.